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Since 1970, Australian cinema has enjoyed a national and international revival with films as diverse as Picnic at Hanging Rock, Crocodile Dundee, Gallipoli, the Mad Max cycle, Strictly Ballroom and Muriel’s Wedding. In Australian National Cinema Tom O’Regan offers a critique of these and other films in the course of an absorbing re-examination of the relationship between cinema, culture and society in Australia. O’Regan asserts the distinct and diverse nature of Australian cinema, placing it in the context of a complex cinematic culture encompassing film-making, markets, criticism, film policy, and cinema audiences. Australian National Cinema shows how Australian films and film-makers have engaged with urgent social and cultural issues of class, religion, race, gender and sexual orientation.